Professor Freud, among his multitude of articles in his 23 volume opus, wrote a piece about a man’s delusion that became attached to a statue in Pompey. Freud follows the protagonist through his internally tortured delusion until he meets a woman while obsessively visiting Pompey.
The article shows Freud’s versatility, in as much as the piece is really a critique of a piece of literature. He follows the protagonist, Norman Rhienhold, in much the same way that he would analyze a patient. Psychoanalysis as an applied theory has frequently been used in the study of literature.
The watercolor that accompanies this post came from my unconscious. It was not until it was done that I recognized the man in the park looking at the statue was Norman from the short story of Gradiva.