A Month in the Sub-Tropics

It is always the inner conflict that is most painful.  A short definition of pain might be in order.  This is what is currently on Wiki, “Pain is “an unpleasant sensory and emotional experience associated with actual or potential tissue damage, or described in terms of such damage.”[1] It is the feeling common to such experiences as stubbing a toe, burning a finger, putting iodineon a cut, and bumping the “funny bone“.[2]

Well that sort of does away with my premise.  When we talk about pain in psychological terms we are not referring to the “bumping the funny bone,” we are referring to another kind of discomfort that is associated with not liking something very much.  I very much do not like ambivalence and because of that, I refer to my conflict as a kind of psychic pain.  A bumping of a kind of mental funny bone.  But from this perspective the entire idea of pain is a metaphor.

When we talk about all pain being an inner conflict, I think we are talking about a pain that is not necessarily connected to tissue and to nerve endings.  The pain that is associated with inner conflict comes from the essential characteristic of fear.  Fear leads to a kind of pain because it introduces a certain chemistry within that has us imagining pain.  As we begin to calculate how awful something will be or how awful something was, we tend to call that association pain because it has in common with physical pain the notion that we do not like it at all.

Coming out as an artist is often painful for people.  Coming out as an artist is big business for the soul and all too often the ego does not want to encourage this idea and it begins an internal dissent.  The ego fights back with words, “you are not an artist, you are not a writer!”  There is a deflating vengeance that the ego can have toward we changing a mental construct about ourselves.

This winter I am in the sub-tropics giving myself an artistic interlude.  I am here to make peace with my inner conflict, to subside the psychic pain involved with reinventing myself at the age of sixty-five.  I am here to gently nudge my soul away from the precepts of the ego that tries to steer me away from becoming comfortable with a new me.

The idea is not so much to convince myself of an identity.  I can do that very well on my own in my traditional settings.  The idea is more one of convincing myself that authenticity is itself a form of joy and a form of success & that I need to practice authenticity internally as well as I need to sell it to others externally.  I feel prepared to let myself be a creative writer.  I have allowed the thought to simmer now for some time and I think the sauce is ready. Listening to the small inner whisper, the internal voice that is meek like that of a child’s, gives my soul a hint of the permission it needs to eventually amplify that voice into it own authenticity.

As I think about the process of authenticity i find that there is as much letting go as there is newness involved.  Letting-go of deliberate outcomes in exchange for accepting things as they are provides us with enough faith to believe that change will occur when it is time for it to occur.  The caterpillar  has no intention of becoming a butterfly. When it is time the metamorphose will happen.

This deliberate letting go of outcome, I find difficult to reconcile with my egoic self that has always be so directive and controlling about what i want and how I propose to get it.  The simple idea of letting the world happen to me requires that I have a faith in a process that I have little to no experience with.  I am here in the sub-tropics letting the world happen to me and I am finding that it is equally difficult to call myself a writer even when that is all that I am doing with my life.  The ego gets up with me every morning and when it hears the sound of the pounding surf several hundred feet away it begins instantly to command and make demands on me that sounds more like the voice of a drill Sargent than it does that of a gentle nudge.

The aspect of my creativity that I have long postponed was that I thought I needed to know where i was wanting to go.  I thought that the desire had to lead in the way of a guide rather that in the manner of a muse.  In fact i am discovering that my creativity resides much more in the concept of allowing myself to be authentic in the moment than it does about knowing directions.  Who I am and what is important to my life happens in a moment by moment manner and there are days that I wake up discouraged in myself just as there are days that i wake up feeling enlightened and even wise.

In most of my professional life I have surrounded myself with intelligent, scientific types.  I have enjoyed using the phrase research fellow as it enhanced my idea of value.  i do not want in any way to have to dismantle those ideas and those times, but I do want to add a different flavor to my repertoire.  I am encouraging my soul to listen to the sound of the pounding surf and i am encouraging myself to think and to use words in ways that are not necessarily accurate; rather they are used to convey feelings, to create portraits & landscapes that are pleasing to the soul.

The Myth of Sisyphus: regression in service of the ego

_1010421I awoke with my mind already in high gear.  Even before stepping out of bed my thoughts were scrambled and my feelings were in a state of chaos.  Nothing appeared right.  And everything appeared tinged with a sense of fear that I would not be able to do my life correctly. There was no one specific thought that dominated the noise in my head; but rather, a series of thoughts that each had me grimacing with fear & worry.  My energy was entirely out of touch with my being.

Mostly it sounded something like this:  if I am this miserable now, how bad must I have been earlier so that this awful NOW is my Karma.  I have a frown on my face and I am reluctant to allow myself to smile. Often, when the ego is so rapidly moving to a tune of urgency, I am unable to stop the process or slow down the merry-go-round enough to get off.  In those times, I have to deliberately awaken to a separate reality.  I need to regress, if you will, in service of the ego.

I might for example try to listen to some music, or listen for the silence at the end of a Zen chime or gong.  While listening to eight minutes of cello and piano music that I had previously composed and recorded I am bombarded with egoic thoughts  My ego might drift in and out of telling me that I have to rush through this exercise because I am wasting time becoming relaxed.  My ego might threaten me with phrases like:  this music is embarrassing, what would so and so think if he saw you listening to this childish exercise, & you are being ridiculous, do something productive.  I have to battled each one of these phrases with a simple nod and a smile that I am noticing just how eager my ego is to disturb my peaceful state of mind.

In short time, I find that I like the sensation in my body.  It is becoming comfortable and none of the previous thought and feelings of worry are present.  And if one of these thoughts do crop into consciousness, I simply smile at it and say, sorry, I am not going there.  It really feels like a struggle between my being–my consciousness, and my ego.  If I stay comfortably ensconced in the lullaby of being, I discover that if I do not need to engage in a fight with my ego, my ego backs down.

I might compare this to road rage.  When I use to feel that a car was encroaching on my territory I would engage with that car in a battle of who is the strongest, the most persistent.  Through out these bouts of road insanity, I was carried out of my stream of consciousness into a location in my head that demanded I fight and stay the course and above all stay deeply involved with the thought that I was right.

The egoic presence is a warrior ever standing guard and waiting for the moment to engage.  It is forever scanning the world to look for something to judge badly and by so doing think that it has the upper moral hand.  The ego, the part of me that i mostly know by my first name, Al, is confusing what it needs to stay dominant with what my organism needs to stay content and peaceful.  The ego grew with the same pace as my physical development.  It was the perceiving, organizing, protecting, defensive aspect of me that kept me safe, that is, kept my identity safe.  As the chore of keeping my identity safe became confused with the chore of keeping my organism safe, my ego developed its current practice of keeping my identity, my thoughts and emotions and opinions safe from encroachment.  In other words, it became engaged in keeping my ego identity safe and forfeited the job of keeping my organism safe  There is a phrase we use in psychoanalysis called, “regression in service of the ego.”  This phrase was developed in 1952 by a then prominent psychoanalyst, Ernst Kris.  Essentially he talk about a feeling of elation that is used as motivation in the creative process.  He speaks of this sensation as feeling as if it comes from outside, from an as outside agent.  His thought was that this was some kind of psychotic regression to some pre-egoic condition.  I have a different take on it. My feeling is that it feels like it comes from outside the self because it is coming from the wider consciousness that is actually outside the prevue of the ego…Or, I might say it comes from the soul of the self rather than from the rational ego.

There are many folks who feel a need, so desperately, to keep their identity in tact that they lose all contact with the higher principles of peace and contentment and happiness.  The ego in its uncanny fashion differentiates  itself from the wider sense of self and  diminishes the value of contentment in the face of maintaining its own righteousness and place of permanence in the psyche.

Creativity and sensitivity to one’s experience of freedom and joy are activities that are built, or discovered, outside the agency of the ego.  In that way we often hear people talk about channelling another source, or being inspired by a muse.  In fact the source of creativity is the self, but the self that lives outside the ego.  The ego need not be dismantled in order to tap this source.  It is just that one needs to learn to NOT rely on old egoic positions and instead be ready to capture ideas that are free floating and less tied to convention. The source is the divine in us.  It is the great “I AM” of creation and we exist as co-creators.  It is not up to the universe to bring us joy.  It is our task, indeed our purpose in life, to bring joy to the universe.  We live in the paradise that we create by flowing down stream, or we are condemned like Sisyphus  to be rolling the bolder of life  forever uphill.

Monday @ Mimi’s

from the deckFrom my deck the lake below shines, glimmers, or simply at times, reflects my mood.  It is a perfect location from which to luxuriate in moodling. Isn’t that a great word, “moodling”.  I saw it used recently by Julia Cameron in her seminal work, The Artist’s Way.  I love that recovery book.  I have used it for so many years.  Actually, I don’t think that I ever read the book from cover to cover.  Her chapter headings are so easy to identify with that it is easy to pick a chapter and not necessarily read it in sequence.

Recently, we have been re reading the book at the “Monday @ Mimi’s,” meeting.  In addition to commenting on the events of the past week, the group is used to support the arts, especially the talents that are reluctant to emerge.  The left-brain ego driven person has a difficult time both locating the artist within and then letting it come out into the open to play and create at will.  Most of us have an artistic talent that began to be stunted somewhere around the 3rd to the 5th grade.  We stopped letting ourselves create with the concept of evaluation and criticism and competition set in, mostly in the classroom, but for some of us it was stunted at home as well.

Math and science, even literature were fair game, but the arts are a leisure time activity at best and a waste of time more frequently.  In essence we were taught that to engage in a process simply for the joy of the process was frivolous.  The outcome was important to each endeavor.  The process was to be ignored and diminished in value.  Capital value, money, making a living all fell under the category of getting a-head in the world.  Art & music were only of minor significance & were to be studied by only the very few who displayed an innate talent..  Below is an example of talent not sufficient to be explored:

farm house

Monday @ Mimi’s makes no such distinction.  When we gather to explore our talents, we gather first and foremost to explore our resistances to making and creating.   When I first joined the group, I was in awe of the fine talents that were being displayed.  I felt surely out of place and even asked if it was O.K. for me to be at this grouping since I was not an artist, I simply took pictures.  I was hesitant to even call myself a photographer, let alone an artist…In the following months I began to respect the stirrings within me as genuine aspects of the divine spirit in all of us.  I began to grow in a direction that my left-brain, science addicted hemisphere, had previously prohibited.

I think that many of us in this group are feeling a readiness to move beyond our private domains.  The First Monday of the month, which is the Monday set aside for presentation, has grown to as many as 40 people attending and cheering each other on to do more, produce more and in general to validate that the spirit which channels through us in the process of creating, is the same spirit that created the universe.  When I create a meditation, or a watercolor, or a pen & ink, I AM.

I AM.  This is such a powerful place from which to grow.

I am looking forward to helping us to create an art cooperative.  I have a vision that was set in motion by a member of this group who I have become very close to.  When we talk heart to heart, we are aware that we have a very similar need to manifest a cooperative that operates on a daily basis to continue the work and the process that we currently enjoy on Monday’s at Mimi’s house.  I am committed to this process project and I hope to find great energy to contribute to this venture.  We are at the very beginning of putting this cooperative together and in the same way that our food co-op operates to feed us organically, we hope to grow the art community in this same organic fashion.

art co-op

our artist way co-op

I look forward to comments and suggestions………..

Sanctuary Road: a state of grace

Stuffed Pumpkins & baked  apples, cardigan sweaters & wood fires, long lingering evenings after short cold days these are a few of my favorite things.

I am basically lazy.  In part my not wanting to leave home may have something to do with where I have chosen to live.  I am situated on a dirt road between Burlingame State Park & the Kimball Bird Sanctuary.  The name of the road is Sanctuary Road.  No wonder my house feels like a church to me.  There are no street lights and I look out over what has affectionately become known as Walden Pond 2

Walden 2When Saturday morning arrives, I usually feel ready for just about anything.  I think that arises from the sense of freedom that I have come to give myself on Saturday mornings.  I can write, paint, draw, play my keyboard…or, if I prefer do nothing.  Doing nothing, just ‘putsing’ around,. is a leisure time activity very near meditating for me.

This morning is gray, the leaves are still green, but it is clearly a fall morning.  The wind is a lot stronger than a breeze and everything seems to be moving slightly, although everything is clearly attached and feels very secure.  The day sets itself up for me as a canvas to contemplate.  I am acutely aware of muted colors.  The reds are more of a rust and the browns are actually a light gray & the greens are more dusty than brilliant.  I feel a painting coming on.topaz & corel pen ink2

But, before I begin what ever activity the universe leads me to, I want to spend another moment with this conscious connection with my soul.  I have become aware, again,  that it is gratitude that feeds my spirit.  And although I am not always able to muster up the energy to get myself there whenever I contemplate the list of “things” and “conditions” that nourish me, I FEEL better.  However, I am not always capable of praying in that way.  There are time when worrying, and filling my mind with fear and negative words takes my breath away.

I say, my breath because when I sit in meditation there are always two things that immediately come to my mind.  I am breathing and I am thinking.  When my thinking is so strong I forget to remember that when I concentrate on my breath I can remove my focus from my egoic thinking mind and for a brief time,  I feel calm and spiritually fit.

I am reminded that I am in touch with my soul by the energy  that I have for creative projects when I am in a state of gratitude instead of a state of fear and worry…..below is a recent watercolor that I titled, Island Meadowbridge island meadow